Sound+experiments

Lady Han Theme: media type="file" key="Lady Han (11_26_10).mp3" width="240" height="20" As of 11_26_10

5/4 Fall Moment (For Lindsey): media type="file" key="5-4 Fal Moment (11_26_10).mp3" width="240" height="20" As of 11_26_10

Shite entrance music: "All I Want for Christmas Is You" by Anthony and Mariah Carey: media type="file" key="Mariah Carey Slowed Down(11_4).mp3" width="240" height="20",

Attached you'll find some sound excerpts from our first week of rehearsals. Sound exercises include: -Music/Dance moments from the first day runthrough -Slowed down Trevor recordings -Slowed down Jessie Speech -Slowed down jessie and chorus dialogue -Opening moment sample


 * For First Rehearsal Run-Through**

-Assign pitches and roles (Han- 62 hz. Servant-125 hz. Yoshida 250 hz. Prop. 500 hz.) -Make it apparent that Chorus will be speaking all dialogue. -No scripts in hand. -Explain the structure: 1 . Opening moment (bodily physical reaction to rhythm and structure of fireworks. Jessie react with walking) 2 . Verse- LF tone designated to character-performed by chris and I (WILL CONTROL THEM) 3 . Chorus-Pre-arranged composed percussive piece. Chris and I will perform on top of (maybe). Either threes or fours.

meeting with Anthony, Katie, Stephen
 * Rehearsal Sound Planning**

(These are experiments we want to do in the first week of rehearsals)

Lady Han Theme
 * actors singing over skeleton
 * movement propelled by fireworks

Click Track
 * steps in response to a click track
 * __Anthony dictating steps__
 * playing with time signatures (first organically/responsively, then 5 distinct beat groupings, one per scene)

Choral speaking
 * chorus doubling on recorded sound
 * chorus doubling on actors' lines

Make monologue derivative of a siren song

Integrate Line Dancing into rhythms established